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AI Summary
- Filmmaker Nia DaCosta, director of horror hit 'Candyman' and 'The Marvels,' discusses her adaptation of Ibsen's 'Hedda Gabler' reimagined with Tessa Thompson as a queer, mixed-race Black woman
- She reflects on navigating white spaces in Hollywood, her passion for horror filmmaking, and her background as a production assistant
- Jazz critic Martin Johnson reviews bassist Linda May Han Oh's album 'Strange Heavens'
Guests on This Episode
ND
Nia DaCosta
4 podcast appearances